Laura Beloff

The Condition - We, humans, have been able to easily divide things into artefacts, things that are produced by humans, and biological organisms, organisms that are evolved or grown ‘naturally’. However, today we are in degreasing degree able to make a distinction between artificial and natural things based on our cognitive abilities. This is due to our long-term development in plant and animal cultivation, cloning, genetic manipulation and biotechnological methods. Also, at the same time we are developing new avenues for artificial life and artificial intelligence to evolve on different platforms and materials. It seems to me that the future ecologies on our planet will be forming at the intersection of technological and biological evolution and human agency.

Ebyan Rezgui

My name is Ebyan Rezgui and I’m a German-Tunisian photographer born and based in London. I’ve spent the last 8 months travelling and shooting for my current project in between my responsibilities for university. My work is documentary in nature but avoids any strong social and political agendas. I prefer to make photographs that give the viewer a feeling of the subject and allow them to draw their own conclusions. However, I also don’t believe that photographs can be wholly objective- my work is rooted in the way I see and my love for the natural world. I am drawn to subjects that take me out into the world and force me to question my understanding of it

Courtney King

Courtney King has studied Art Foundation at Epping Forest and is currently in her second year at Loughborough University studying Fine Art, where she is still experimenting with a mixture of media, but starting to mainly focus on a combination paint and 3D. With her work, she mainly focus on the environmental issues that we currently face in the modern world.

Anna Hahoutoff

Although I was born the other side of Atlantic ocean, my heritage was tinted with the power of American imagery. My eyes bathing in commercials, movies, and everything else that life was at the time, bathing in various pieces of a puzzle called the American dream.  Soon I realized everything had a visual appeal, it all seemed arranged in such proficient order, as if it were standing still for me - only waiting for a photograph to be taken. 

Amy Johnson

Melt :: A collection of porcelain salt cellars - Glaciers and their icebergs are transformative; they take you to an unknown world in an unknown time. To hear them drip, shift, and crack is loud, startling, and real. I am sucked into the seemingly fairytale environment, where endless spans of blue ice seduce with their glistening surfaces and sapphire pools. To be there, on a glacier, among the icebergs, and to navigate the frozen braided rivers connecting them, is nothing less than surreal.

Curro Rodriguez

Debla - The fear, the strange and the uncomfortable to be animal and feel excluded from the purely natural, feel like an intruder in the plots that man has intervened and nature has resumed. Debla attributes to the recreated spaces an insane unrest. A rarefied environment. A crack that leaves the atavistic, simple and uncomfortable. A cycle, a natural struggle to recover an invaded space. Landscape, body, interaction, intervention, are the ways of searching used, walking as artistic practice and intrusion in space as a way to find the answers. 

Laura Wade

Laura Wade is an artist living and working in West Cork, Ireland. She studied Fine Art specialising in Printmaking at Galway/Mayo IT’s Centre for Creative Arts + Media and graduated with a first class honours in 2014. She also received the Cork Printmakers emerging artist 12 month bursary. Since graduating, she has participated in exhibitions nationwide and internationally, and has work is in both public and private collections.

Juan Fabuel

Juan Fabuel's 'Becoming Exergy' project looks at the idea of social construction when looking at landscapes. It displays the need for balance between a system and its context by turning some apparently invisible aspects into visible ones. Juan explains how the images do not intend to untangle how hidden mechanisms, which facilitate inter-connectivity or equilibrium between elements; work. 

Sophie Steengracht

The patterns discover in my physical environment captivate me. I see movement and textures in all life around me. I find them in the sky, on the forest floor, but also in a pavement or in shadows that fall through a window. They seem quick, soft, liquid, ethereal, solid, intertwining, falling, growing, creeping, scattering, evolving and dying. Everything is disintegrating to be born again in another form.

Enya Lachman-Curl

Enya Lachman-Curl is a painter, born 1990, who has exhibited in the UK and USA. She paints seething yet desolate landscapes depicting an imagined world reclaimed by nature and devoid of the presence of man, where ‘progress’ has surrendered to a state of entropy. ...

Helene Callesen

The bulk of Callesen’s works on paper feature earthy hues, although the artist occasionally adds ‘synthetic’ highlights. While highly refined and delicate, these drawings maintain a robust anchoring in geological forms.

Sam Dobransky

Sam Dobransky is an abstract contemporary artist currently residing in Tasmania, Australia. His practice includes painting, instillation and large-scale mural work that explores the meditative relationship of repetition within the artistic process...

 

François Quévillon

Dérive echoes our increasingly mediated experience of the world and its climate monitoring by inviting to explore models of geographical locations that are transformed according to live environmental data collected on the Internet...

Catherine Lemblé

Nothing prepares you for Spitsbergen - one of the world’s northernmost settlements. My camera and I have crossed many a mountain and solitary landscape yet this place looked nor felt like anything I had seen before...

Albiann Tully

The future of Earth is uncertain, as well as the future of our relationship with nature. Society’s well being relies on nature, but we allow destructive habits to permeate life. The circular black portal seen in the photographs is a threshold between manipulated and wild environments. The threshold invites us to enter the landscape and represents several ideas:..

Laura Ribeiro Mascarenhas

Lost in a white desert made of salt, we’re taken to the low and highlands of Chile, Peru and Bolivia, where Brazilian artist Laura Mascarenhas captured the endless hours of a storm that kept her from reaching Chile, the neighbouring country from where her journey has started in Bolívia. 

Svabhu Kohli

Indian artist Svabhu Kohli‘s stylised illustrations of flora and fauna offer a dreamy glimpse into the artist's love of nature and imaginative approach to art. Each enchanting work of art combines bright colours, bold graphics, and intricate designs to capture the beauty and splendour of the natural world.

With a tremendous amount of detail and a focus on visual storytelling, each magical, multi-layered work of art showcases a unique scene straight from the artist's imagination. Kohli's illustrations are equally inspired by nature and by fantasy, presenting a unique twist on traditional landscapes and studies of wildlife.

Rendered both by hand and through digital programs, the pieces that comprise Kohli's captivating portfolio demonstrate his array of artistic abilities and his versatile approach to his craft.

Lynda Laird

Lynda is a photographic, video, sound and archive artist working on long term bodies of work; primarily focusing on landscape and the idea that memory is stored in place; that there are trace's and an imprint of history stored in the buildings, landscapes and spaces where specific events have occurred.

Alexandra Ffion

Alexandra Ffion is an emerging artist based in East Sussex, England. Her work explores the beauty of natural details. From all levels of perspective, her work takes inspiration from the minute patterns to the aerially photographed textures of our world. Predominantly focusing on painting and collage, her connection with the natural world is represented as vibrant abstract environments.